Posts Tagged ‘Shawn Fanning

Screen shot 2009-11-24 at 1.44.41 PMThere is a lot of buzz around SimpleGeo right now. The service, which participated in our RealTime CrunchUp earlier this month, also took home two prizes at the Under The Radar conference just prior to that. And that was a big deal for the company considering it won the audience award even though it’s not exactly the most consumer-oriented project. But people seem to understand that the location space is getting really hot right now, and SimpleGeo, which provides its geolocation infrastructure to other companies, offers one of the best models to capitalize on that. So it should be no surprise that they’ve attracted some big time investors.

SimpleGeo has just closed a $1.5 million seed round of funding, we’ve confirmed. This round, led by First Round Capital, also includes from Redpoint Ventures, Ron Conway, Kevin Rose, Chris Sacca, Joshua Schachter, David Cohen, Debbie Landa, Tim Ferriss, Shawn Fanning, Gary Vaynerchuk, David Lee, and Freestyle Capital. Yes, it’s basically a who’s who in angel investing that is on board now with SimpleGeo.

The two founders, Matt Galligan and Joe Stump, who are both based in Boulder, CO, used their time in San Francisco this month to close this new round. And the company is moving fast. Just a few weeks ago, the company raised a debt round to cover expenses as the company switched gears away from a previous focus on augmented reality gaming (which Galligan wrote about for us here). This new funding is being tacked on to that for its proper seed round.

SimpleGeo is not the only company working to provide an easy way for others to tap into the location craze. Another company on our geostream panel at the CrunchUp, GeoAPI, is doing something in a similar vein, but with a different approach.

SimpleGeo remains in beta for the time being.

Participants in its previous debt round include Joanna Shields (formerly Bebo), David Liu (formerly AOL), Ziv Navoth (formerly Bebo), Darius Contractor (Bebo), Ravi Narasimhan (Strategic Data Corp/NewsCorp), and Jason Knapp (Strategic Data Corp/NewsCorp). Needless to say, a lot of powerful people clearly want this company to succeed.

Information provided by CrunchBase

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It’s November 2009 and we’re nearing the end of a decade. It’s been a tumultuous time of change for many industries, much of it driven by the Internet. With that in mind, over the coming weeks ReadWriteWeb will look back on the defining Web trends of the past 10 years. From the dot com boom, to the nuclear winter after, to the passion and enthusiasm of the pre-Web 2.0 innovations (such as RSS and podcasting), to the highs and hype of Web 2.0, to the current era of the real-time Web, to the near future of the Internet of Things. We’ll explore all of this and more.

We’re starting with online music. No industry, except arguably the newspaper one, has been rocked (pardon the pun) more by the Internet than the music industry.

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Napster & Kazaa: Online File Sharing

The online music decade started with Napster, a music file sharing service created by Shawn Fanning that operated between June 1999 and July 2001. Napster enabled people to freely share MP3 files over the Internet; however it quickly ran into major legal trouble. Napster was the subject of lawsuits in 2000 by touchy metal band Metallica and others. It was eventually shut down by court order, after several major record labels went after the service.

After Napster’s demise, a P2P application called Kazaa became the most popular service for music file sharing. But it too eventually succumbed to record industry attacks.

Curiously, both Napster and Kazaa were recently reincarnated as law-abiding services. After years of re-launch attempts, Napster was acquired by Best Buy in September 2008 and was born again in May 2009. Meanwhile Kazaa turned into a legit music subscription service in July this year.

iTunes / iPod: Digital Music Goes Commercial

While Napster and Kazaa tried to skirt around the commercial imperatives of music, like paying artists, Apple took on the record industry in an entirely legal way. In January 2001, Apple launched a digital music player for music called iTunes. Then in April 2003, the iTunes Store was launched. It offered the ability to buy songs for 99 cents each, which had a major impact on the music industry.

Soon after Napster’s demise in 2001, Apple launched what was to become a revolutionary device in the music industry. The iPod was launched in October 2001 and it became the most popular portable music player since the Sony Walkman in the 1980s.

Fast forward to 2009 and iTunes continues to evolve. In January Apple announced that iTunes would go DRM-free. In September 2009 Apple launched version 9 of iTunes, which included a Genius-like recommendation feature for apps and ‘iTunes LPs’ – a feature that brings liner notes and artwork to digital albums.

MySpace: Music & Social Networking

MySpace was launched in August 2003 and soon became a popular hangout for local bands, especially indie rockers. MySpace provided a way for those bands to promote their music and reach a wide network through social networking.

As ReadWriteWeb’s Sarah Perez wrote last month, it was a virtuous circle for MySpace. The bands’ presence on MySpace "began to attract a young, hip crowd of users who were interested in following pop culture, and, in particular, the up-and-coming artists they discovered while browsing through the network. Only eight months after its launch, MySpace began to experience exponential growth, as its users created profiles and friended others who would then, in turn, invite more users to join the social network. Thanks to the “network effect,” MySpace soon became the place to be online. Everyone was there."

However by 2008, MySpace had ceded the social networking crown to Facebook. In 2009, MySpace is once again trying to reclaim its heritage as a music service. In October MySpace launched “Artist Dashboards” and integrated its music video vault with recent acquisition iLike.

Pandora & last.fm: Online Music Discovery

Online music services have flourished in the ‘web 2.0′ era, when the ability to find new music and share it with others via the Web became increasingly sophisticated.

Two services in particular stand out. One is Pandora, a free online music discovery service. Pandora was founded in 2000 and continues to grow, despite various legal issues over the years. As ReadWriteWeb’s Frederic Lardinois noted earlier this year, Pandora derives its revenue from targeted audio advertising in its music streams and affiliate sales through Amazon’s MP3 store and iTunes.

Last.fm is another online music discovery service. It was founded in 2002 and was sold to CBS in 2007. It continues to innovate in 2009, for example in May this year last.fm announced combo stations, allowing a user to create a station with up to three artists or tags.

Conclusion

This post and series was inspired by one of my favorite blogs and podcasts, NPR’s All Songs Considered. They’re currently looking back at the decade in music and much of the discussion is about how the Internet helped define it.

And it’s true, when you think of music at the end of 2009 you think of iTunes, Pandora and last.fm – MySpace even. The record industry is still coming to terms with these and other changes.

Tell us your online music memories of the past 10 years. What’s been your favorite online music product or service during that time?

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timberlakeIt’s just weird.

It’s weird that Justin Timberlake – he formerly of *NSync and having sex with Britney Spears – is currently spending his days pretending to be the guy who founded Plaxo. It’s also just weird that – along with Shawn Fanning’s pivotal cameo in the blasphemous remake of the Italian Job – both of the founders of Napster have now been key plot points in major Hollywood movies. And furthermore, as if all of that wasn’t just batshit weird enough – I discover that Justin Timberlake – when he’s not dressing up as the dude from the board of Yammer – has started to invest in Silicon Valley start-ups.  Weird weird weird.

Those, roughly, were my thoughts on Thursday evening, as I stood -  clutching a bottle of water – at the launch party for Robo.to, the latest product from Particle, which happens to be the start-up that Timberlake invested in.  Timberlake was in town too – in order to dress up as the guy from Causes – but couldn’t make the party due to work commitments. That was also weird, I thought. Not that he’d bailed in order to dress up as the other Facebook guy, but rather that him doing so had resulted in a reporter from US Weekly (which I discovered is pronounced “us, rather than US – which is also weird, given that it’s not about “us”, but rather about “them”) emailing me for a comment.

The subject line of the email read ” US WEEKLY WOULD LIKE TO CHAT WITH YOU” which made me think, as it would you, Holy Shit! All caps! This must be important!

And indeed it was…

Hi Paul

Just touching base with you in regards to your article you wrote regarding Justin Timberlake snubbing the event. Would love to chat with you. Can be OFF THE RECORD and totally CONFIDENTIAL if you prefer.

How much notice did JT people give you guys? Did he call himself personally to cancel? I heard that he may actually be in San Fran, is there any chance he will make it to the after event festivities?

Give me a call or let me know how I can reach you.

Thanks,

xxxxxxx
Staff Reporter, US weekly.

My first instinct, of course, was to fuck with her. To reply with a whole bunch of lies about how Timberlake had sent me flowers, or written me a really sweet note of apology. That would be hilarious, I thought, especially if it ended up in US Weekly. I mean, the fact that their fact checking doesn’t even extend to ensuring that they’re emailing the right person (it was MG’s story) or even the correct organisers (it wasn’t our event) suggests that I could basically send them any old bullshit and see it in print.

But that would be wrong, and unfair. After all, it was MG’s moment, not mine. So I did the right thing.

I fucked with MG…

from    Paul Carr
to    xxxxxxxx
cc: MG Siegler, Melissa Klein
subject    Re: From blog: US WEEKLY WOULD LIKE TO CHAT WITH YOU

Hi xxxxxxx,

Thanks for your email. Actually the piece was written by MG Siegler,
who I’m copying in to this email, along with Melissa who is handling
PR for the event.

MG would be better placed to tell you either ON or OFF the RECORD how
he heard the news. As far as I know JT sent him a bouquet of flowers
and a hand-written note of apology, which was both sweet and entirely
unnecessary.

Good luck with your story.

Best,

Paul

For good measure, I also Tweeted MG’s reaction to the fictitious flowers. I mean, sure, anyone seeing the tweet would think it was weird that Justin Timberlake would send flowers to a TechCrunch reporter. But then again, they’d also think it was weird that an US Weekly reporter would email me to ask about Justin Timberlake. They might also find it weird that, despite being in town, one of Particle’s main investors was too busy dressing up as the dude from the Facebook movie to attend his own party. If only Sean Parker had shown up at the party, wearing a three-piece suit and a trilby, the weirdness would have reached such a pitch that the world might have fallen off its axis.

But back to me. As I considered the almost countless ways that Timberlake slowly turning into the character he’s playing is weird, it occurred to me that something very weird is happening to geeks and celebrities generally. It’s been happening for a while in fact, starting probably – and fittingly – with Shawn Fanning appearing in the Italian Job.

For their part, geeks are becoming cool. And by cool I don’t mean ironic cool, like Michael Cera in Juno, or fake cool like Abby the would-be Suicide Girl in NCIS – I mean actual geeks are becoming actually cool, to the point where movies are getting made about them.

At the same time, cool people – celebrities, former boyband members, husbands of Demi Moore – are doing their best to become geeks. It used to be that computer club nerds grew up wanting to be celebrities, or at least to have sex with them. Now those same celebrities are so keen to emulate the nerds that they’ve started Tweeting and blogging and investing in startups. Equally, it used to be the natural order of things that rich movie stars got paid millions of dollars to dress up as people with a fraction of their personal wealth, now it’s the precisely the reverse: Sean Parker is paid considerably more to be Sean Parker than Justin Timberlake ever will.

If this trend continues, there has to be a point when the lines on the dorks/celebrities graph cross: when to all intents and purposes the two switch roles. And that day will not just be weird, but also terrifying. Just think of it for a moment: US weekly reports of Larry Page punching a staffer when he finds a green M&M in his dressing room. Scoble passed out in front of the Viper Room, a dozen paparazzo surrounding him, unaware that he’s already uploaded the photos himself to Flickr. And what’s that commotion in the bathroom stall? Oh, it’s just MG making out with a Pussycat Doll. Meanwhile the old-style celebrities will be working late at the office, pushing out a new release of their iPhone app before heading home to catch Arrington hosting the Soup.

Or at least that’s what I imagined as I stood at the party, holding my bottle of water and listening to the expectant hubbub of people speculating as to whether Timberlake might show up after all. We were all pretending to care about Robo.to, of course, but we all knew why we were really there. And at that, came a shout…

“Justin’s here!”

Holy crap! HE’S HERE! All caps – I panicked. I’m terrible at meeting celebrities; I always say exactly the wrong thing. “Roman, great to meet you. Have you met my 12 year old sister? You guys can use my room.” That kind of thing.

Heads turned. If there had been a piano player, he’d had stopped playing and you would have been able to hear a pin drop. But there wasn’t so he didn’t and you couldn’t – and anyway it was soon revealed to be a cruel joke. Justin was indeed at the party, but the geek Justin – Justin Kan from Justin.tv – not the celebrity one whose mere hint that he might show up at a party guarantees its success.

Saddened yet somehow relieved that – for that night at least – the natural order of things remained intact, I took a final sip of my water and headed home, via dinner at In-and-Out Burger. Meanwhile, somewhere across the city, I imagined Justin Timberlake partying with the Pussycat Dolls, or drunk dialling Britney Spears or whatever it is that proper celebrities do.

I’m only speculating on that last bit, of course, but what the hell – US Weekly, call me. I’ll Photoshop up some pictures.

Crunch Network: CrunchBoard because it’s time for you to find a new Job2.0

 
 


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