Posts Tagged ‘online

Now it appears that Bill Gates joined Twitter with calculated intentions. After passing 100,000 followers in eight hours (now he has nearly 250,000 fans), the Microsoft visionary used his now-popular account to announce a new web project: The Gates Notes.

The new website offers a collection of Gates-related information with blog-like sections documenting everything from his travels to what he’s reading and thinking about. There’s even a “Curious Classroom” section serving to house Gates’s responses to students, and an “Infrequently Asked Questions” page to address reader questions.

So what’s the point of the site? On your first visit, you’re greeted with a letter from Gates explaining that he regularly takes notes about his work with the Bill and Melinda Gates Foundation. He’s decided to share those notes online “in the hope of getting more people thinking and learning about the issues I think are interesting and important.”

At launch, the site is already packed with notes, and we’re impressed and overwhelmed by the collection of content. Now that Gates has captured the attention of more than 200,000 Twitter users, we expect to see him use the platform to share fresh content with his followers and quickly gain an audience for this new online project.


Reviews: Twitter

Tags: bill gates, celebrities, social media, the gates notes



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So why do users keep expecting to consume it, reuse it, share it and store it without paying for it?

Let me explain: Someone, somewhere ends up putting out money for everything you do online, every piece of news you read, every web app you use. It takes professionals and hardware across a gigantic industry to make these things work. In terms of overhead alone, content costs a lot. So why do some users always kick and scream at the first suggestion of paid content? Do you think content is worth paying for, and if so, what are you personally willing to pay?

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[Image courtesy of Flickr user SFDenverLV.]

This trend has been a common one in our virtual newsroom lately. Whether we’re praising the latest startup that’s had the sense to launch with a freemium model or wondering how old-media models (see News Corp. and the New York Times) are dealing with new media revenue possibilities, the subject of who pays for content and how is a hot one.

As a journalist who came of age career-wise during the print era and as a musician who first recorded songs on these things called “tapes,” I understand the cultural value of great content, and I admire the men and women who make it. I also love being able to support the creators and publications that bring me the content I love.

On the other hand, as a typical NMD and one who lives almost entirely online, I have done my share of content scalping, whether that be lifting a copyrighted photo for a design project, illegally downloading a single or two from a multiplatinum artist or diving deep into the world of torrents, where all the films are gloriously free and inconveniently subtitled in Hungarian.

Like any petty thief, I tried to justify my actions to myself by saying that I’m only taking from those who can afford it. But let us speak frankly: The creative and publishing industries are all at a crisis point because of hundreds of millions of people like me who say the exact same thing. I’ve lately started to come to grips with my hypocrisy and start paying for content, whether that be a legitimate iTunes purchase or a Netflix subscription. I tell you, it feels like I’m giving money to a feed-the-children charity when I’m really just paying for something that should have never been free in the first place.

Today, YouTube has announced its plan to help indie filmmakers (and increase its own revenues) by asking users for a $5 fee to watch a selection of Sundance Film Festival movies. I’m wondering how many users will balk at the fee, and what will go through their heads when they do so.

Will they be thinking about the months or years each filmmaker spent creating the movie? Or the time the actors spent preparing for and performing their roles? Will they think about filming equipment rentals? Will they consider the cost of hosting online videos at a scale that accomodates huge volumes of traffic around the globe and around the clock? Will they think about the developers who work tirelessly to make the magic of online video possible?

Or will they simply knee-jerk and proclaim a loud “How dare they!” at the thought of paid content?

(As a side note, I’m also curious to see a Venn diagram showing the overlap of people who object to paying for online content while vigorously complaining about “distracting” online advertising.)

So, what makes the difference between the analog days, when creators charged for their creations and theft was theft, and these digital times, when anything that’s been transformed into ones and zeroes is fair game for free consumption, piracy, remixing and redistribution?

I’m curious: What kinds of online content, if any, are you willing to pay for? And how much will you pay for them?

Would you pay for news? Special, in-depth reports? Entertainment and multimedia? How about a blog subscription? Let me know your thoughts in the comments.

Discuss



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There has been a lot of talk of late about how the New York Times would probably be moving towards a paid model for its online content. The newspaper has now come right out and said that starting in early 2011, visitors to NYTimes.com will get "a certain number of articles" for free every month, before asking to pay a flat fee for unlimited access. Subscribers to the print edition would receive full access to the site for no additional charge.

There are still a lot of details to be worked out from the sound of it, and since the change won’t go into effect for a year, maybe they will have enough time to get it right. However, publishers have been trying to get this right for years already, and are still struggling to find that true answer. You have to wonder, what makes them think they can get the details ironed out by then?

It would be one thing to announce it and start doing it. Other publications do this, but a year is an incredibly long time in the online world. There are so many things that could happen and questions that may still remain unanswered in the online news industry. News Corp. for example, has set off a firestorm over whether or not people should be able to freely link to free content on the web. There are just so many things that come into play that it seems rather strange to assume everything will fall into place a year from now. Who knows what condition the industry will be in by then? Publications that are using paid models right now may decide it’s not working and switch to a different plan. To reiterate, a year is a long time, particularly in an industry with so many question marks.

NYTimes.com

"This announcement allows us to begin the thought process that’s going to answer so many of the questions that we all care about," Arthur Sulzberger Jr., the company chairman and publisher of the newspaper is quoted as saying. "We can’t get this halfway right or three-quarters of the way right. We have to get this really, really right."

I would say the thought process has been in motion for some time, and it’s hard to imagine setting a deadline for the discussion to wrap up in such a timeframe. Does setting such a deadline suggest a hint of desperation? The Times says that any changes will be closely watched by other publishers of online content, and there is no doubt that this will indeed be the case.

The publication refers to Nielsen Online and analysts’ data indicating that NYTimes.com is "by far" the most popular newspaper site in the country with over 17 million readers a month in the U.S. alone.

Do you read the New York Times? Would you pay for frequent access or get your news from other sources? Share your thoughts.

Related Articles:

New York Time’s Could Announce Paid Model This Week

Do You Have the "Right" to Link?

Is This the Answer for Online News Revenue?


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