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18 Aug 2011
Just about every electronic textbook company declares that it has the most books available for download.
Coursesmart calls itself “the world’s largest digital course materials provider.” Sellers like Barnes & Noble and Amazon return absurdly high numbers for searches in their etextbooks sections that include novels and other general books used in classes. Textbooks.com boasts the “biggest selection of used & new college textbooks.” And a Kno executive recently told Mashable that Kno has the biggest etextbook offering on the Internet.
Up until this point, there’s really been no good way to objectively compare each company’s offerings.
Campusbooks, a 12-year-old textbook price comparison site, recently gained this ability when it expanded its database of texts across seven different etextbook makers — thus receiving access to their catalogs.
The site worked with partner booksellers to come up with a list of the 1,000 most popular textbooks for fall 2011 to use as its metric. It takes into account data that professors share with bookstores in order to help them determine demand, including which books they have selected for their upcoming classes and how many students are signed up for them. Past data is also used as part of the calculation.
“It is a relative number but overall represents the most popular books,” Campusbooks CEO Jeff Cohen says.
Here’s what percentage of the most popular 1,000 books each of these seven etextbook retailers had on hand:
The data doesn’t reflect the quality of the etextbooks or their relative prices, but it’s a good indication of where digital book makers stack up when it comes to offering books that are actually used in classes — a factor that many consider key in the healthy competition among etextbook providers.
Photo courtesy of istockphoto, dlewis33
More About: books, education, etextbooks, textbooks
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18 Aug 2011
The Behind the Social Media Campaign Series is supported by Oneupweb, an award-winning agency specializing in search marketing, social media and design for mid-to-enterprise level brands. Download Oneupweb’s free whitepaper, “Measuring Social Media’s Contribution to the Bottom Line: 5 Tactics.” But it wasn’t always this way. Until very recently, marketing was a one-way conversation. That’s how advertising always worked. Can you picture Don Draper saying, “Let’s just have consumers come up with the next campaign”? Of course, a lot has changed since 1965. Technology now lets you do your job from home or wherever you happen to be. Clients, aware that ad agencies can now cut their overhead, are pushing the shops to do more with less. “The old full-time, employee-based model is going away,” says John Winsor, the CEO of Victors & Spoils, a crowdsourcing agency. “The incentive when you’re full-time is to take longer and put more people on the work.” Victors & Spoils employs 17 people full time, but has relationships with 6,500 people who are on call for advertising work of one kind or another. It’s a unique model for the ad industry, but one that shows how far you can take the idea of crowdsourcing. The term itself refers to an umbrella of activity. There’s crowdsourcing that consumers don’t see, like the work Victors & Spoils does on behalf of clients like Harley-Davidson, and then there are campaigns that are partially crowdsourced, like PepsiCo’s “Crash the Super Bowl” contest in which consumers see the participation. Those who carry out crowdsourcing campaigns, though, don’t draw a great distinction. Guidelines remain constant. Here are a few basic rules they offer to those considering crowdsourcing campaigns:
Those who came of age during the social media revolution may take it for granted that you, the consumer, are often called upon to be an active participant in your favorite brand’s marketing.
Whether you’re doing behind-the-scenes crowdsourcing or asking consumers to pick the next flavor of your soft drink, you need to be very specific about what you’re asking them to do. “Write a super-tight brief,” says Winsor. “Be super-clear about what you want.” Wil Merritt, the CEO of Zooppa, a crowdsourcing agency in Seattle, agrees. “You’ve got to get it right,” he says. “Once it’s out in the community, it’s all systems go.” That doesn’t just mean clear writing, though. It’s also important to keep things pretty simple.
Merritt says that a brief that asks consumers to mention too many features will often result in work that can look like a PowerPoint presentation. “Keep it high-level and aspirational,” he says. “And it doesn’t have to be funny.”
Setting clear guidelines in a brief will also help you avoid a disastrous situation in which consumers are trashing your brand. That’s what happened when Chevy ran a crowdsourced program in 2006 asking consumers to make videos for its Tahoe SUV. Consumers seized the chance to criticize the vehicle for its environmental unfriendliness with lines like “It’s Global Warming Time.” (See above.)

When it comes to crowdsourcing, cash is king, says Mike Burlin, marketing manager for Zooppa. If you want high production values, you have to open up your wallet a bit. Don’t dangle a trip as a prize since consumers may not be able to take it for one reason or another. The magic number for prize money seems to be $5,000. Any less than that and you won’t get serious submissions.
The other thing to consider are second prizes. “Is there just one?” Burlin asks. “People look at the odds.” A decent second- and third- place prize may be worth the money just because it convinces serious candidates to give it their best shot.
Ad agency JWT tapped the online community of its client Smirnoff as a source of ideas, but it didn’t go so far as to ask them to create ads. “People are busy enough as it is,” says Matt MacDonald, executive creative director, JWT New York. “The last thing they want to do is to work out your marketing campaign for you.”
The Smirnoff Nightlife Exchange Project, detailed in the video below, is less about getting consumers to do the vodka brand’s marketing and more about participating in it. That’s a fine distinction.
The difficulty in crowdsourcing a campaign often is not getting the ideas, but keeping track of them all. Ignacio Oreamuno, president of Giant Hydra, a “mass collaboration” agency (he abhors the word “crowdsourcing”) says that on any given campaign, he gets 10 times more ideas than a standard ad agency would.
Victors & Spoils is taking its own approach to wading through the ideas — the agency plans to introduce a software product in August that simplifies the process, though it currently uses software programs including Crowdspring and PopTent to execute campaigns.
Winsor rates his 6,500 freelance employees using a “reputation algorithm,” which he calls a “new kind of meritocracy” for the industry. Oreamuno stresses that his employees may not be full-time, but they are held up to a high standard.”The creatives that work in Giant Hydra have all been pre-selected and they are all being paid for their time,” he says. “Most of the Hydra Heads that work in Giant Hydra projects do it on a constant basis. One day, we’ll have the world’s largest creative department working at all hours of the day across the world.”
Of course, “professional” is a term that has been sorely tested in recent years, thanks to crowdsourcing. There are industries, like medicine and engineering, where it would be unthinkable to have a stranger come in off the street and do the job you’ve been working at for 20 years better than you, but advertising isn’t one of them.
As Winsor notes, those Pepsi Super Bowl ads routinely show up in USA Today’s AdTrack as consumers’ favorites. “The professionals say they’re not as good,” says Winsor, “but consumers like them better, so who’s right?”
The Behind the Social Media Campaign Series is supported by Oneupweb, an award-winning agency specializing in search marketing, social media and design for mid-to-enterprise level brands. Download the Oneupweb sponsored Marketing Sherpa free study, “Measuring Social Media’s Contribution to the Bottom Line: 5 Tactics” to learn how to cut through the clutter and be sure to catch up with them on Facebook and Twitter.
Image courtesy of iStockphoto, AndreasKermann
Image courtesy of Flickr, Tony Peters
More About: Behind the Social Media Campaign Series, crowdsourcing, MARKETING
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In: web resources
18 Aug 2011Each day, Mashable highlights one noteworthy YouTube video. Check out all our viral video picks.
Ever dated a guy/girl who was more apt to stare into his/her iPhone than into your piercing eyes? Well, have we got a song for you.
The above video, set to the tune of “I Just Called To Say I Love You,” comes courtesy of Break Media and stars Elliott Yamin (from American Idol on vocals), Sarah Hyland (Modern Family) and her boyfriend, actor Matt Prokop (High School Musical 3).
Make sure to share it with your significant other — preferably on Facebook.
More About: humor, music, pop culture, social media, trending, video, viral video, viral-video-of-day, youtube
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