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This post is part of the For Your Inspiration Monday Series showcasing the most inspiring designs out there. Each week a new artist or design style will be presented in order to get your creative juices flowing for the upcoming week. I hope you enjoy the series.
Rik Oostenbroek, aka NKeo, is a 19 year old graphic designer from the Netherlands who’s been working in the field for over 4 years now. I would describe Rik’s style as random geometric grunge art though he also masters the ever popular lightning effects. Mixing vibrant colours with awesome compositions is what he does best. Below is a selection of 10 pieces, but make sure to visit his portfolio and deviantArt profile for more plenty more inspiration.
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This blog delivers stylish and dynamic news for designers and web-developers on all subjects of design, ranging from: CSS, Ajax, Javascript, web design, graphics, typography, advertising & much more. Our goal is to help you communicate effectively on the web with an engaging website or functional interface.
2 Responses to FYI Monday: Rik Oostenbroek aka NKeo
GUS0921
March 18th, 2010 at 4:35 pm
BOTH TAIL LIGHT ASSEMBLIES ARE INTERCHANGEABLE.THE KICKER IS THAT IF YOU REPLACE ONE YOU WILL HAVE TO REPLACE BOTH SIDES BECAUSE THEY LIGHT UP DIFFERENT AND THAT WILL MAKE YOUR CAR LOOK WIERD WHEN YOU STEP ON THE BRAKES.OTHER THAN THAT,YES YOU CAN FIT 04 ASSEMBLIES INTO AN O8.
charlie_tuna57
March 23rd, 2010 at 10:08 am
Through cinema, the viewing audience has been able to see and take note of how sets, particularly those in homes, such as Father of the Bride (1951 and 1991) and Mrs. Doubtfire, were beautifully decorated. The settings inspire individuals to want to decorate their own homes in a similar style. It would be the same, I suppose, for women and men's clothing. People see others wearing a particular jacket, for example, and they go out and buy the same one or close to it.
As for the years that you state, I'm guessing that movies prior to 1940 were largely shown to a viewing audience that really couldn't afford to dublicate the set designs due to The Great Depression of the 1930's.