Archive for the ‘SEO’ Category

Have you ever visited a website with expectations about what you would find only to discover that site held none of the information you were looking for? That site might have had exactly what you’re interested in, but there was no clear path to find it. The site may have been organized in such a way that led you to believe it was about something other than what you were hoping to find.

How long did you stay on that site? Did you take any time to explore it or did you quickly conclude it wasn’t what you were looking for and left in search of another site?

One of the most important decisions you make as a web designer is how to organize information. How information is organized on a single page and across your site greatly affects how people respond to your design and interact with it. When someone first visits your site they have very little knowledge about it. You need to let them know what your site is about quickly and effectively.

How should you organize your site’s information? How many ways can you organize it? Are some organizational systems better than others?

5 Hat Racks

The principle of the five hat racks suggests that there are a limited number of ways information can be organized. As you can guess by the name, it says there are exactly 5 ways to organize information, those 5 ways being by Location, by Alphabet, by Time, by Category, and by Continuum.

You’ll sometimes see continuum stated as Hierarchy in order to create the acronym Latch, but I think continuum is the better word in the context of the 5 hat racks, since hierarchy implies something different and is something we’ll discuss separately.

  1. Category – organization through similarity and relatedness (categories, tags, taxonomies). Organize your content by categories when there are clusters of similarity in you information or when people will naturally seek that information based on perceived similarities.
  2. Time – organization in a chronological sequence (step-by-step instructions, blog posts, news). Organize content by time when presenting or comparing events over a specific duration of time or when time based sequence is important to the information.
  3. Location – organization through geographical or spatial reference (maps, travel guides). Organize content by location when orientation or wayfinding are important or when your information relates to a geographical place
  4. Alphabet – organization in an alphabetical sequence (dictionary, glossary, index). Organize content by alphabet when the information is referential, when nonlinear access is required, or when no other means of organization is acceptable.
  5. Continuum – organization by magnitude (baseball statistics, search results, ratings). Organize content by continuum when comparing things across a common measure; highest to lowest, best to worst, first to last.

You’re not limited to using only one system of organization across your site. The organization is mainly a way to help others find you content.

You may organize your main navigational system based on category and then offer search results based on continuum. You might have a section of your site that serves as a glossary, which you’d organize by alphabet, a blog that presents posts by time, and a specific page or post that compares content by continuum.

Hatrack

The key is to understand how to organize your content through the 5 hat racks and develop strategies for organizing it so your audience can find it quickly and easily.

Also keep in mind that the navigational systems you make prominent reveal a lot about what’s contained within your site. A site about baseball for example could present it’s main navigation as

Standings | Teams | Players | Schedules | Box Scores | Stats

or

History | Teams | Players | Ballparks | Collectibles | Museum

Both of the above are based on category organization, however, you would probably expect each to contain different information.

The first is more focused with what’s happening during the current season as indicated by the words standings and box scores, whereas the second is more focused on what happened in the past based on words like history and museum. Both sites may have much content that overlaps and both are about baseball, but simply in the way you present how your content is organized you reveal valuable information about what each site has to offer.

Hierarchy

If your site is small and only has a few pages, you can easily display them all in your main navigation. As the number of pages grows it quickly becomes unwieldy to try and include to every page in a navigation bar or single menu. Organizing your pages into a hierarchy becomes important.

Hierarchal organization is one of the simplest structures for visualizing and understanding complexity. Placing your content into some kind of hierarchy is an easy way to let people know what the entirety of your content is about.

Hierarchy is created through superordinate/subordinate or parent/child relationships. Visually we perceive these relationships based on left/right or top/down organization, but we can also influence this hierarchy visually through proximity, size, and connecting lines among other things.

There are 3 structures to visually present a hierarchy.

Tree Branches

Tree Structures

Tree structures typically present the child below or to the right of the parent. Think of a drop down menu. Things like size and connecting lines can also be used to express the parent/child relationship. Think mindmaps.

Tree structures are useful for creating hierarchies of moderate complexity, however they can get cumbersome as the hierarchy grows larger or becomes more complex. They can become tangled when children have multiple parents. They can also be difficult to change, add to, or remove items in the hierarchy.

You’ll commonly use tree structures for high level mapping or overviews of the system. Again think of a drop down menu as your main navigation. You likely won’t include every page on your site in the drop, but rather a few levels of organization starting from the highest level.

Nest with eggs

Nest Structures

In a nest structure the child is contained within the parent. Think of a Venn diagram.

Nest structures work best for simple hierarchies. In order for the parent to contain it’s children it naturally has to grow larger as more children are added to it. Nests become a less efficient way to display the hierarchy as the system grows larger. You also can’t represent much complexity with a nest structure.

In many ways a web page is visually organized as a nest. You have a page that contains a header, footer, one or more sidebars, and main content area. Your sidebar may contain a list of links, some textural information, banner ads, etc.

You’ll commonly use nest structures for grouping information into simple logical relationships. and for natural systems. Think of a web page. How much information can you add to any one page before it becomes a complex mess. The more you add to it, the less the hierarchy becomes clear.

stairs.jpg

Stair Structures

In a stair structure the child is located below and to the right of parent. Both below and to the right are used as opposed to one or the other as in a tree hierarchy. Think of an outline as an example of a stair structure.

Stair structures are effective at representing complex hierarchies, though they aren’t easily browsed. They can also imply a false sense of sequential relationships. Since child elements are often stacked one below the next inside the parent it may look like the top most child comes before the next child down the stack. This sequence isn’t implied by the stair structure.

You’ll commonly use a stair structure for large and complex hierarchies, particularly those that change over time or where the pattern of growth is unpredictable. It’s easier to add to, remove from, and modify a stair structure than either of the two structures above.

Every post you read here begins as an outline that is a stair structure. As I begin researching information for any post I add new children, remove some, and constantly rearrange the entire structure. The outline grows and gets reshaped and eventually becomes a post.

One way to maximize the clarity and the effectiveness of hierarchies is by concealing child elements and then revealing them only when the parent is selected. Think of an accordion style menu or a file system with the + and – to open and close the parent.

This concealing and revealing makes it much easier to understand the hierarchy as you only see part of the hierarchy at any time. It’s a good idea to explore different ways of selectively concealing and revealing the complexity of your hierarchy to help your audience understand it better.

layering.jpg

Layering

Layering information is the idea of grouping related items together in some way and only presenting certain groupings or layers at a given time. Layering helps manage complexity of information (PDF) and also helps to reinforce relationships within a layer and relationships and comparisons across layers.

There are 2 types of layering you can use, 2-dimensional and 3-dimensional.

2-Dimensional Layering

2-dimensional layering separates and groups information in such a way that only one layer can be viewed at a time while hiding other layers. The layers can be revealed linearly or non-linearly.

Linear layering is useful when there is a clear beginning, middle, and end to the layers. Think of a novel. You might consider every scene in the novel as being a new layer of information. These scenes are revealed to you linearly as you read the book. Several layers of scenes might comprise a larger layer representing a chapter.

Non-Linear layering is useful when you’re trying to reinforce relationships between layers. There are 3 types of non-linear layering.

  • Hierarchal layering is used when there is a hierarchy to the layers; when they’re built of parent/child relationships. You’ll reveal these layers in accordance with the hierarchies we discussed above.
  • Parallel layering is used when the information is based on the organization of other information as in a thesaurus. The layer is revealed through its connection with that other information.
  • Web layering is used when the information has many different relationships. Hypertext is a good example. Pages on the web can be linked to and from many other pages. Here you’re revealing the layer through linking to other layers.

3-Dimensional Layering

3-dimensional layering separates and groups information such that multiple layers can be viewed at once. They can be presented as either opaque layers or transparent layers that sit on top of each other.

  • Opaque layers are useful when additional information is to be shown without switching contexts. Popup windows and context menu are good examples of opaque layers.
  • Transparent layers are useful when overlaying the information combines to illustrate new concepts and relationships. If you’re familiar with the term augmented reality, it’s a perfect example of transparent 3-dimensional layers. The idea being that you’re presented a direct view of the real world and then layers of virtual information are presented on top of that view in order to augment it.

Use 2-dimensional layers to manage complexity and direct navigation through your information. Use linear layers for stories and sequences and non-linear layers to emphasize and compare relationships within and across layers.

Use 3-dimensional layers to elaborate information and illustrate concepts. Use opaque layers for presenting elaborative information and transparent layers for illustrating concepts and highlighting and relationships.

gestalt-uniform-connectedness-1.png

gestalt-uniform-connectedness-2.png

Organizing Information Visually through Gestalt Principles

Most of the above discussion has been about organizing information across your site or system. I wanted to briefly discuss how you can organize information visually on a single page. If you think about basic design principles and specifically gestalt principles, many exist to help organize information better.

Consider the following principles of gestalt.

  • Similarity
  • Uniform Connectedness
  • Continuation
  • Proximity
  • Common Fate
  • Parallelism
  • Common Region

If you haven’t already read my previous post on gestalt principles, you may want to take a look to gain an understanding of what each of the above is about. Each connects information and elements in some way to convey the idea that the elements are related to each other to visually organize them.

The basic design principle of alignment is another way to visually show relationships between information. Alignment leads to grids which exist to help organize a design.

Summary

A large part of your job as a designer is to organize information. That organization might be the information architecture across a website or it might be where to place design elements on a page. How information is organized reveals a lot about your page and site and will greatly influence how people react to your design and how they interact with your entire site.

Take time to learn each of the different ways to organize information mentioned in this post. Each way is relatively easy to understand. You want to understand them so you can determine which organization system is best to use under which conditions.

Keep in mind that you can use one, several, or all of these organizational structures within a single site. Some will obviously be better to use in a certain place and others may come down to a choice based on design goals and objectives.



Go to Source

Have you ever been walking a paved path through a park and come across an unpaved shortcut? The shortcut was clearly not designed by the developers of the park, but it’s clearly a route people before you have taken and it’s clearly a quicker way to get from point A to point B. Do you take the unpaved path?

The path had been made over time as more and more people chose to walk the straight line across the field as opposed to walking the paved path around it. The path was a perfect example of a desire line. Don’t fight desire lines. Learn to embrace them.

Desire Line

What are Desire Lines?

Desire lines are the unpaved paths that are developed over time by human and animal footfall. They typically represent the shortest or most easily navigated route from one point to another. Their size represents the amount of demand for taking the desired path over the designed path.

They’re the path people choose to take as opposed to the path designers want or expect them to take. It doesn’t matter how beautiful you’ve designed the landscape, if you fail to provide a convenient way to get from point A to point B people are going to carve out a shortcut.

As designers we want to control how people perceive our designs and keep people on our predefined path. We create lines for the eye to follow so they notice what we want them to notice. We direct them to the actions we want to them to take. We create navigation through our sites for how we expect people to travel our web pages.

And then along come real people who use our sites and view our pages, however they like. These people are creating desire lines through our websites. We can try our best to force them to do it our way, but they won’t. They’ll either do it their way or leave. A better approach would be to understand where the desire lines in our sites being created and adjust our designs to those desire lines.

We can apply the idea of desire lines to visual flow in your design, creation of new content, increasing traffic into your site, and how people generally interact with your website.

crazy-egg-heat-map.jpg

How to Determine the Desire Lines on Your Site

When people can contribute anonymously without worry of social repercussions, honest answers emerge. When aggregated, these honest answers will represent collective intelligence. We want to get at that collective intelligence so users of our systems can let us know how we can improve them and design them better.

How do we understand what our audience wants, what it desires? What can we do to determine desire lines on our site?

  • In-Site Search – perhaps the best way to understand the desire of your audience. When people type something into a search engine they are telling you what they want, what they desire.
  • Heat Maps – show you where people click most frequently on your page. They show you what part of your design are attracting attention and what part of the page people are interacting with.
  • Click Paths – show how people travel through your site. They show the actual paths people use when interacting with your website
  • Analytics – can show you what parts of your site are used the most and what paths lead people into your site.
  • Tagging – If you let users tag content on your site you allow them to tell you how they classify your content. You allow them to speak in their own words and teach you their vocabulary.
  • Ratings – Star ratings on your content and comments on your content or measuring how well your content fares on social bookmarking sites lets you know what your audience prefers.

Much of the above is about analytics, about measuring how people are using your site. These statistics, particularly in-site search show what users want from your website, not what they say they want, but what they actually want and do.

You can try seeking direct feedback from users in the actual moment they are using your site. While feedback can be an expression of desire keeping in mind that this feedback is not truly anonymous and it’s what people say they want, which may not be what they really want.

Keep in mind that the desire of one or two individuals is not a desire line or at least not a strong desire line. It takes more than a couple of people to carve a path through a field.

Desire Lines not found in Search

Responding to Desire Lines

Understanding desire lines is only part of the equation. Knowing what people want is one thing. Acting on that information is another. What can you do with the information you gather?

If people are actively searching for things on your site you should first determine if you have what they want somewhere on the site. If you do it likely means people can’t find it so your response should be to make that content more obvious. Is it something you can add to your main navigation? Could you find some way to feature that content better? Maybe you need to link to that content from within the pages where people are searching.

If that content doesn’t yet exist on your site, create it. People are searching for it. They expect you to have it somewhere so create it. Give people <a what they desire.

Similarly when looking through your stats discover the content people are finding and are consuming and give them more of that content. Look for themes in the content people are finding and consuming and let it shape your choices for future content.

This can be a good way to increase your search traffic. If you notice certain pages of your site are doing well pulling search traffic, you can create new and similar (though not the same) content on the same topic. It could be a sign that your site has reached a level of authority where it can compete on keywords around that topic. By adding more content around the same keyword theme you can bootstrap your traffic from long tail keywords toward keyword phrases found in the head of search.

Look at the other sites sending traffic to your site and strengthen your presence with those sources. Is one site sending you traffic month over month? Build a relationship with the people behind that site. Does one article consistently send traffic back to your site? Help promote that article. Get more people to enter that path. Make that path back to you site wider.

Did you create a series of posts expecting that people would read through them linearly? Are they? Or do people stop reading after one of the posts in the series? Do they skip one of the posts in the series? Learn from how people are clicking between your pages to restructure these click paths to be more in line with the paths people actually take.

Through heat maps and eye tracking you can understand where people are looking and clicking on your page. Is this where you want them to look and click? Can you modify your designs to nudge them back to the path you want them to take? Could you instead move more important elements on the path they are already taking?

twitter.jpg

Examples of Desire Lines Shaping Design

In Finland, planners are known to visit their parks immediately after the first snowfall, when the existing paths are not visible. People naturally choose desire lines, which are then clearly indicated by their footprints and can be used to guide the routing of paths.
Wikipedia

Microsoft began the practice of requesting you to submit a crash report when something goes wrong while you’re using their operating system. You may or may not send those reports, but if enough people do, it helps Microsoft understand how you were actually using their system, especially at the moment where you encountered a problem. Others have followed by requesting you submit a crash report when having a problem with their software.

Amazon lets users review products and reviews of products and tracks what you purchase in order to recommend similar items.

Twitter is a company that has grown almost entirely out of desire lines. Twitter began as a system to post 140 character messages with little other structure. It has allowed it’s users to shape how the service works. It was users who created @replies, retweets, and hashtags. Twitter has also grown through its API which has let developers create new features based on what Twitter users are asking for. Most of how you use Twitter today was shaped by the desire lines of your fellow users and not by the people behind Twitter.

Only after the desire lines form does Twitter pave those paths.

Summary

Designers do their best to anticipate what an audience wants and how it will interact with a design. We often try to control how people will interact with our designs. Desire lines show how people are actually using your design. They show how people want your website to behave.

It’s in your best interest to understand the desire lines of your audience. Learn how they currently use your site and what they wish your site could be. Collect information and let strong desire lines emerge.

Don’t be a slave to desire lines. Part of your job as a designer is to shape the desire of your audience.

If desire lines are narrow think twice before making changes. When desire lines are wide think about what you can do to accommodate them. When a significant percentage of your audience is expressing a desire for something it’s usually best to give them what they want.

Desire lines are an ultimate expression of human desire or natural purpose. An optimal way to design pathways in accordance with natural human behaviour, is to not design them at all. Simply plant grass seed and let the erosion inform you about where the paths needs to be.
Commercial Success by Looking for Desire Lines (PDF)



Go to Source

Images of people draw our attention. However, different images with different people will affect us differently.

How do we perceive images of people? How do they affect us and how do they affect the way your design is perceived? When choosing an image to convey a particular message are there certain facial features you should look for? Is there an ideal way to crop the image so it communicates best?

Three principles of design that involve how we perceive images of people are attractiveness bias, face-ism ratio, and baby-face bias.

Each offers clues into what your viewers will subconsciously think when seeing images of people in your designs. An understanding of these three principles will help you choose people images that work in harmony with your design.

model.jpg

Attractiveness Bias

Attractive people are generally perceived more positively than unattractive people. We have a tendency to view attractive people as more intelligent, competent, moral, and sociable than unattractive people. Attractive people receive more attention from the opposite sex, more affection from mothers, more leniency from judges and juries.

Attractive people are even preferred in hiring and will make more money, all other things being equal.

I hope you’ll agree that attractive people are not automatically smarter, more competent, or more moral than unattractive people, nor do they deserve a better fate in court or a larger bank account solely on the basis of their looks.

However we seem predisposed to favor attractive people, likely due to reproductive instinct.

My guess is most of the above is already known to you in some degree and that were you to pick between two images of people to place in a design you would naturally choose the person more attractive to you.

face-ism-2.jpg

Face-ism Ratio

The term and idea behind face-ism originated during research into gender bias in the media. It had been observed that images of men focused mainly on their faces, while images of women more often featured their body in addition to their face. This was observed across cultures and was thought to reflect gender-stereotypical beliefs in regards to the characteristics of men and women.

In experiments with college students, students were asked to draw images of men and women and told they were only being evaluated on their drawing skills. Both male and female college students had a tendency to draw detailed faces for men and included more of the body when drawing women. Women’s faces were drawn with less facial details.

The face-ism ratio is expressed as:

the distance from the top of the head to the bottom of the chin divided by the distance from the top of the head to the lowest part of the body shown.

An image showing only a face would have a face-ism ratio of 1.00 and an image showing no face would have a face-ism ration of 0.00.

What’s most interesting is what we think of images with different face-ism rations. A high ratio focuses attention on intellectual and personality attributes, while a low ratio focuses attention on physical and sensual attributes.

People who view images with a high face-ism ratio tend to rate the people in those images as being more intelligent, dominant, and ambitious than the images of the same people with a low face-ism ratio.

Each of the links below will take you to a PDF that explores face-ism in politics.

almita1.jpg

Baby-Face Bias

Babies typically have round features, big eyes and a small nose, a high forehead, a short chin, and lighter skin and hair color than adults.

We tend to see people with baby-face features as being more naive and helpless, innocent and honest, than people with mature facial features. Hardly a stretch when you consider the previous characteristics are typical of babies. However, we also see those same characteristics in adults with baby-face features.

Baby-face people might have difficulty being taken seriously when expertise, authority, or confrontation are called for.

On the opposite side babies with weaker baby-face features are treated less positively and are even rated less likable than those with strong baby-face features. Premature babies often have a low degree of baby-face features and sadly the rate of child abuse is greater in premature babies than full term babies.

People with baby-face features are more likely to be found innocent when a crime involves an intentional act, though they are more likely to be found guilty when the crime involves an act of negligence. They tend to receive harsher sentences when pleading guilty, probably because of the greater contrast between expectations of innocence and the conclusion of guilt.

Baby-face bias exists across all age groups and cultures. It’s seen across many mammalian species. Baby-face characteristics and bias are even seen in objects.

face-ism.jpg

Implications for Design

The implications of attractiveness bias should be obvious. Because attractive people are viewed more positively, you’re better off using images of attractive people than unattractive people. The images will be viewed more positively and consequently your design, website, and business will be too.

When it comes to face-ism ratio you want to choose or crop images based on the message you’re trying to communicate.

When it’s important to convey more thoughtful associations you want to use a high face-ism image. Crop the image so it shows as little of the body as necessary.

When your design calls for associations with physicality and sensuality you want a low face-ism ratio. You want to show more of the body in the image.

The previous points will be true regardless of gender.

Use images of people with baby-face features when you want to convey honesty and innocence. Consider baby-face images for testimonials where trust is important. Use images of people with more mature features, when you need to convey a sense of authority and expertise.

Summary

I think most of us would like to think that we judge people based on things that go beyond physical characteristics. The simple fact is we’re biased toward people based on how they look.

Attractive features are often those more conducive to reproduction and so we tend to view those features in more positive light. There’s a reason why you see beautiful people in movies, on tv, and in advertising.

Thinking occurs in the brain. The rest of our body is used more for physical things. It’s natural that when we see more of the human body we think more of physical characteristics and when see faces in the absence of a body we think more of thoughtfulness.

Babies are innocent and helpless. They need adults to survive. Again it’s only natural that we’d see baby-face features in a similar light even in adults.

When choosing images of people for your next design consider the subconscious meanings those images will convey. Match as best you can the people in images with the message you’re trying to communicate and crop those images accordingly. Like it or not people will associate positive and negative feelings with those images based purely on physical attributes.



Go to Source


 Powered by Max Banner Ads 

About this blog

This blog delivers stylish and dynamic news for designers and web-developers on all subjects of design, ranging from: CSS, Ajax, Javascript, web design, graphics, typography, advertising & much more. Our goal is to help you communicate effectively on the web with an engaging website or functional interface.

New offer:


 Powered by Max Banner Ads 
Internet MegaMeeting, LLC Microsoft Store LinkShare  Referral  Program Iolo technologies, LLC Artisteer - Web Design Generator FTPress.com (Pearson Education) Mobile Security: Parental Controls and Monitoring Atom Entertainment (formerly AtomShockwave)
.
Web Analytics